#What is the best vampire weekend album movie#
The origins of Vampire Weekend can be traced to a home movie that Koenig started to make while on vacation – a spoof horror flick set in Cape Cod and inspired by The Lost Boys, in which he stars as a would-be vampire slayer (you can get the gist of the plot in the song “Walcott”).
It confused a certain ghoulish rock star. The album gets its title from the group – which gets its name from a DIY horror flick that was never made. And we felt like if we were to start a rock band, it had better not just be a rock-and-roll band.”Ģ.
We were listening to rap and electronic music. … But there was a degree of seriousness about wanting to set rules for ourselves. “I had this image that a lot of great bands started with a manifesto – like the Who and some of those weird British noise bands,” he told Westword. Supposedly, the manifesto included such rules as “no distortion,” “no post-punk” and “no trip-hop.” It also decreed that the band would remove any stylings that played as “too rock.” Suffice to say, the rumor mill went into overdrive, and Koenig was required to set the record straight. Koenig told Spin in 2008 that the aesthetic treatise that guided the LP still existed on his laptop, typed in a font that matched the Tintin comic books. Vampire Weekend was the result of a carefully drafted sonic manifesto. To mark the 10th anniversary of the album that started it all, here are 10 things you might not know about Vampire Weekend.ġ. Unperturbed by a brief, borderline-hysterical backlash, Vampire Weekend went on to deliver two more albums, both of which hit Number One, with a fourth disc due this year. Vampire Weekend was as smart as it was vibrant. Baroque flourishes somehow fused perfectly with chiming African-style guitars (inspiring endless, misguided comparisons to Paul Simon’s Graceland) and reggaeton beats jauntier numbers were balanced with reflective, understated songs. On their self-titled debut, Vampire Weekend served up knockout hooks and clean, crisp pop production, while offering the kind of thrillingly clever lyrics that could keep you googling for days. “If they’d shown up at CBGB circa 1978, these outré Ivy League preppies probably would’ve been beaten with bicycle chains,” sneered a Vulture critic, while a Village Voice blogger wrote, “Trust-funded or not, VW’s music, lyrically and sonically, emits the putrescent stench of old money, of old politics, of old-guard high society.”īut the band’s obvious gifts were undeniable. The peanut gallery wasn’t always quite so sympathetic. Singer Ezra Koenig added, “I hope people see it as a quirk rather than us waving our privilege in their faces.” “For me, it was a cool idea to strive for the perfect, imagined version of a college band,” keyboardist and producer Rostam Batmanglij told The Guardian. Ten years ago, the members of Vampire Weekend were being interviewed about their sudden success and the blogosphere’s misgivings about their pedigree – specifically the fact that the band comprised four Ivy League grads with a penchant for polo shirts and boat shoes.
0 kommentar(er)
